VISUAL CULTURE
Rob Stone: Projects
Books
Auditions: Architecture and Aurality, Cambridge, Mass.: MIT Press, 2007 (forthcoming)
Chapters in books
‘Just Give Me One Thing That I Can Hold On To’, in susan pui san lok ed., Golden (Notes), London: SPSL, 2007
‘Privet: Suburbs and the Theology of Privacy in Modernist Urbanism (1930-40)’, in Iain Boyd-Whyte & Karsten Harries eds., Modernism and The Spirit of the City, London: Routledge, 2003
Articles
‘Tuche: Vinyl and Urbanity’, Parallax, September 2006
‘Salted Pleasures’, in Roxy Walsh (ed.), Infallible, ARTicle Press, London, 2005
‘The Window’s Leave: Ligatures for the Lovesick’, Johnny de Philo (ed.) Issues, University of Greenwich, London, Summer 2004
‘Dumb Sands Deportment’, Gerz, Jochen (ed.) The Anthology of Art: Art and Theory in Dialogue, Salon Verlag, Germany, 2004
‘Love’s Graffiti’, in Georgen, T ed., Vermischungen, Muthesius-University, Kiel, Germany, 2003
‘Coy Teloi: Baroque Dissonance in Pevsner’s Suburbs’, Journal of Visual Culture, Summer 2003
‘Low Fidelity’, Parallax, February 2003
‘Snakes and Latitude’, The Tate, London, June 1999
‘Hush and Hemiola: 2700m2 of hope, shelter and home’, Parallax, vol.4, no.3, 1998
‘Flat Football’, Make, no. 79, May 1998
‘Part II: On the Association of Ideas, Chapter I: Knowledge or Improved Perception’, Parallax, vol. 4, no. 2, 1998
Continued in Dreams, They’ve Taken to Their Beds, Spacex Gallery, February 1998
‘Tight Shoes and the Jump-Cut (Walter’s Embrace),’ Coil: The Journal of the Moving Image, no. 5, September. 4,000 words exploring intersubjective implications of the use of sound in recent installation work by the Index group, 1997
‘The Woman in Possession’, Make, no.74, August 1997
‘Municipal Yellow in Crowd Control’, Site Gallery, January 1997
‘The Burden of Lot’s Wife: Genre and Her Father’s Voice in the Plausibility of Daphne Wright’, Third Text, no. 34, Spring 1996
‘Turtlewax: or “There Ain’t No Flies on the Lamb of God”’, Parallax, no.2, January 1996. 8,000 word feature article on theological and crime fiction references in Nikolaus Pevsner’s attitudes to mass-suburbanisation and architectural history c. 1936.
‘Daphne Wright’, Circa, no.71, 1995, review
‘Nah! to your bloody rotten offer: Architectural metaphor in Terry Atkinson’s Greaser constructions’, The Tempest, no.1, 1995
Other
Editor: Journal of Visual Culture
Editor: Versus Contemporary Art
Member of the Cultural Atlantic research group