VISUAL CULTURE
Publications: 2002
2007 / 2006 / 2005 / 2004 / 2003 / 2001 / 2000
Paul Antick, ‘Bloody Jumpers: Benetton and The Mechanics of Cultural Exclusion’, The Journal of Fashion Theory, Vol.6, Issue 1. 2002, pp. 83-110
Paul Antick with Andrew Kearney, writing by John Walsh, ‘Living in a Box’ photo essay in, ‘The Independent Magazine’, The Independent on Sunday, 15 September 2002, pp. 42-44
Suzannah Biernoff, Sight and Embodiment in the Middle Ages (London: Palgrave, 2002)
Jon Bird, ‘A Walk on the Wild Side’ in Critical Nearness: Hermelinde Hergenhahn, SSN Drukkerij, Nijmegen, 2002
Elizabeth Lebas, ‘The Cinematic Representation of Urban Renewal Between the Wars’, translated as ‘La rappresentazione filmata del rennovo urbana nell Ingliterra degli anni trenta’ in Leonardo Ciacci a cura di, Il Cinema degle Urbanisti, Modena: Istituto Nazionale di Urbanistica.(5,000 words, translated into Italian), 2002
susan pui san lok, ‘PIDGIN: interrupted transmission’, exhibition review in Third Text, no.59, 2002
susan pui san lok, ‘Inglorious Food’, exhibition catalogue essay in Anthony Key, Bristol: Eddie Chambers, 2002
susan pui san lok, UA2, 4 CD book set compilation of artists’ soundworks, contributing artist, London: Underwood Audio, 2002
susan pui san lok, ‘Towards a Chinese British Isles, A Round Trip or 3333, Point 3 to Infinity: On Mileage and ‘British-Chinese’ art’ at www.chinese-art.com [1998-2004] vol.5, no.1, guest editor
Sandy McCreery, ‘Come Together’, in Autopia: Cars and Culture, Peter Wollen & Joe Kerr eds., London: Reaktion, 2002, pp. 307-311. ISBN 1-86189-132-6
Kobena Mercer and Chris Darke, Isaac Julien – Minigraph 3 London: Film & Video Umbrella, 2002
Paul Overy, ‘Centuring the City’, Visual Communication, vol.1, no.1, February 2002, pp.59-64.
Sharon Lin Tay, ‘Abbas Kiarostami: New Waves, Authorship, and the Politics of the Festival Circuit’, in Yvonne Tasker ed. Fifty Contemporary Filmmakers, London & New York: Routledge, 2002, pp.203-10