VISUAL CULTURE
Paul Overy: Projects
The Restoration of Modern Life: Interwar houses on display in The Netherlands, in Treble Keeble, Brenda Martin and Penny Sparke (eds), The Modern Period Room: The Construction of the exhibited interior 1870-1950, London: Routledge, 2006, pp.73-86.
’The Whole Bad Taste of Our Period’: Josef Frank, Adolf Loos, and ‘Gschnas’, in ‘Reconsidering Kitsch’ a special issue of Home Cultures: The Journal of Architecture, Design and Domestic Space (Oxford: Berg) vol.3, no.3, 2006, pp.213-233
White Walls, White Skins: Cosmopolitanism and Colonialism in Inter-war Modernist Architecture, in Kobena Mercer (ed.), Cosmopolitan Modernisms, International Institute of Visual Arts (inIVA), London / The MIT Press, Cambridge, Mass. & London, 2005, pp.50-67.
Visions of the Future and the Immediate Past: The Werkbund Exhibition, Paris 1930, Journal of Design History, Vol.17, No.4, 2004, pp.337-357.
Re-inventing the Wheel – Speed in Slow Motion: The London Eye (Millennium Wheel), Visual Culture in Britain, Vol.4, No.2, 2003, pp.21-40.
Centuring the City, Visual Communication, Vol.1, No.1, February, 2002, pp.59-64.
El Lissitzky and the West: Internationalism and Proun, in Lutz Becker (ed.), Construction: Tatlin and After, Exhibition Catalogue, State Museum of Contemporary Art: Costakis Collection, Thessaloniki, 2001, pp.276-295
Building Sight: House, London NW3 by Brian Housden in Post-War Houses special issue of Twentieth Century Architecture, No.4, 2000, pp.7-18.
