VISUAL CULTURE
Lisa Tickner: Projects
Recent Publications
Lisa Tickner, ‘Augustus’s Sister: Gwen John: Wholeness , Harmony and Radiance’, catalogue essay in Gwen John and Augustus John, eds. David Fraser Jenkins and Chris Stephens. London: Tate Publishing, 2004, 224pp, 150 col. & 30 bw ill., ISBN 1-85437-543-1 (accompanying an exhibition at Tate Britain)
Lisa Tickner, ‘A Strange Alchemy: Cornelia Parker’, interview/article, Art History, v.26 n.3, June 2003, ISSN 0141-6790, pp.364-391. Also published in Difference and Excess in Contemporary Art, Gill Perry ed., Oxford: Blackwell, 2004, 200pp., ISBN: 9781405112024, ISBN10: 140511202
Lisa Tickner, Dante Gabriel Rossetti, London: Tate Publishing, 2003 (British Artists Series), 80pp; 60 ill. (33 col.), ISBN 1854374877
Lisa Tickner, ‘Mediating Generation: The Mother-Daughter Plot’, in Art History, vol. 25 no. 1, February 2002, ISSN 0141-6790, pp.23-46. Also published in Women Artists at the Millenium, eds. Carol Armstrong and Catherine de Zegher, Cambridge, Mass.: MIT Press, 2006.
Lisa Tickner, ‘Messing About in Boats: E. J. Gregory’s Boulter’s Lock (R.A. 1897)’, Oxford Art Journal, vol.25, no.2, October 2002, ISSN 0142-6540
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Recent Conference: The Rise of the London Art Market
8 – 9 February 2007, Tate Britain, London
London is a leading world market for contemporary art, but how has this come about? What role have dealers played? What is the anxiety about the relationship between money and art? How can we study the art market and what can it tell us both of the past and the present status of art? Academics, dealers, critics, curators and artists come together to provide both historical contexts and contemporary insights into this much under-considered subject.
Among the speakers are Andrew Brighton, Andrew Stephenson, Anna Grutezner Robins, Anne Helmreich, Eddie Berg, Fran Lloyd, James Lingwood, Judith Greer, Lisa Tickner, Louisa Buck, Malcolm Gee, Matthew Slotover, Pamela Fletcher, Prof. Hans van Miegroet (keynote), Susan May and Georgina Adam.
